Funding available to support UK-based screen sector companies with International Distribution, Business Development and Co-Production Open for Application from 28 April

London, United Kingdom - April 23, 2021 - The Department for Digital, Culture, Media and Sport (DCMS) and the BFI today announces the launch of the UK Global Screen Fund, a one year pilot fund designed to boost international development and distribution opportunities for the UK’s independent screen sector.

The new £7 million fund will target support across the screen sector including film, TV, animation, documentary and interactive narrative games (Interactive) content. Financed by DCMS and administered by the BFI, it will focus on accelerating export growth, boosting revenues to independent UK screen companies and deepening international relationships.

Following extensive consultation with industry from all four nations of the UK and drawing on expertise from across the screen sector, the UK Global Screen Fund has been established to directly address industry need. Aimed at boosting the international competitiveness of UK screen content whilst growing the revenue and sustainability of domestic independent businesses, the fund is designed to help develop and produce projects with international appeal, expand the worldwide distribution of UK content and encourage collaboration with international partners.

Culture Secretary Oliver Dowden said: “The United Kingdom has an independent screen industry to be proud of. World renowned, our film, TV, video game and animation industries create jobs and growth the length and breadth of the UK. The UK Global Screen Fund will export the extraordinary talent and creativity of the UK to audiences across the globe, supporting our talented filmmakers and screen businesses to compete and grow.”

Ben Roberts, BFI CEO, said: “Today’s announcement of the £7m pilot UK Global Screen Fund will deliver a vital boost to the UK’s exceptional independent screen sector by stimulating international partnerships and generating new export opportunities. As we look to this weekend’s Oscars, and the incredible line up of UK nominees, it’s clear our screen industries continue to punch above their weight internationally, and contribute significantly to the UK economy. It’s vital we continue to build on the global impact of our diverse and brilliant independent screen content, enabling the creativity and success for which the UK is so renowned.”

David Parfitt, Oscar-winning producer of The Father and founder of Trademark Films, said: “We are delighted with the success of The Father, which has now sold in multiple territories around the world. However, this new fund brings a business development element alongside distribution support which is particularly attractive to a company like ours. It would allow us to engage and compete on more equal terms with other global independent production companies, allowing us to take further risks and giving a welcome boost for international success.”

Barbara Broccoli, Bond Producer and producer of independent films including ear for eye and Film Stars Don’t Die in Liverpool, said: “I’m in constant awe of UK filmmaking – from the best writers, most skilled crafts people, extraordinary actors, innovative producers and visionary directors, our talent speaks to global audiences. And it starts with independent film – it’s the bedrock of all this creativity and an essential part of the ecosystem of film, it allows us to take risks and be bold, nurture talent and build skills. This new fund will help support that creativity and allow audiences all over the world to enjoy it.”

Constructed to complement the UK’s wider screen landscape, the pilot UK Global Screen Fund is led by Neil Peplow, Director of International Affairs BFI, and will offer funding support across the screen sector value chain. The new one year pilot will allocate funding to three open access strands:

• International distribution funding: support for sales and distribution of one or more UK feature films (drama, documentary, animation) in international territories.
• International business development: financial support for business strategies that drive international growth and IP development for companies working in film, TV (animation, drama and documentary) and interactive narrative gaming.
• Co-Production investment: support for UK companies to be partners in international productions, sharing IP and revenue on film and TV animation and documentary projects with audience potential.

Alongside financial support for UK screen businesses, the UK Global Screen Fund will drive and fund a new international promotional campaign. Informed by newly commissioned audience perception research focusing on key international territories, the campaign will engage global audiences and reflect the extraordinary quality and diversity of screen content coming from the UK. Recognising the vital role of film, TV, animation, documentary and interactive in shaping how the UK is viewed around the world, the activation of this major campaign, set to go live later in 2021, will showcase independent UK screen content through multi-territory promotion of talent, content, and companies.

Underpinning the aims of the UK Global Screen Fund, further investment will support research into a new data hub. This will explore the possibility of providing international data that can allow financiers, screen content creators, sales agents and distributors to make better-informed decisions, establishing an evidence base to compete internationally, and thereby enhancing the UK screen sector’s global opportunities.

Simon Crowe, Chair of Film Export UK and MD of SC Films International said: “Despite the pandemic, there are some fantastic British films coming through this year and the UK’s sales companies are poised to take them to global markets. This extra and highly targeted support from DCMS, via BFI, will tremendously increase the impact those films can make.”

Kate O’Connor, Executive Chair, Animation UK Council said: “Building on our starting position of creative excellence, and COVID resilience, UK Animation has the potential to become a genuine world leader in the global market-place. As one of the most geographically diverse of all the UK screen sectors, we welcome the announcement of the UK Global Screen Fund as part of our sector plan to support growth and create jobs across the UK. We are looking forward to working closely with the BFI and the Government to create the business and investment conditions to support our brilliant Animation sector.”

Dr Jo Twist OBE, CEO of Ukie, said: “Games businesses across the UK are creating world class stories that capture the imaginations of millions. It is critical that the UK Global Screen Fund continues to evolve and plays a key role in helping interactive entertainment companies to deliver cultural value, whilst supporting innovative creative companies around the UK.”

Screen content is a major UK cultural export. Recent research by Parrot Analytics, exploring the global reach of British content, found that it ranked second only to the US in its ability to engage audiences around the world, also demonstrating a strong correlation between demand and global availability. The UK Global Screen Fund presents a unique opportunity to increase UK exports by supporting the independent screen sector in maintaining its existing international relationships, whilst further building global networks, growing audiences and in turn generating jobs and skills.

The screen sector is one of the UK’s fastest growing industries, contributing significantly to the national economy. Prior to the impact of COVID-19 the UK was experiencing a major production boom with 2019 figures revealing the highest spend ever on film and high-end television production in the UK, at £3.62 billion and including high levels of international production investment. Despite disrupted production schedules throughout 2020, production spend for the whole of year was £2.84 billion, down just 21% on 2019’s record levels, with the final quarter demonstrating strong recovery with the second highest quarterly result on record.

This success was further proven by spend on animation programme production in the UK, which reached £61 million in 2020, an increase of 55% compared with 2019, with 74% generated by inward investment and co-production programmes. 2020 was also a record year for the UK video games market, hitting £7bn and up 30% compared to 2019. Games development and publishing directly contributed £2.91 billion in GVA to the UK economy in 2019, and a report released by Ukie in 2020 showed that UK games businesses were operating at an average of 80% productivity even throughout lockdown.

This proven talent, innovation and resilience of the screen sector, together with the work of the BFI-led Screen Sector Task Force and UK Government interventions, sees it well-placed for continued economic growth and further potential for making a vital contribution to the UK’s cultural recovery. By supporting and promoting continued collaboration with international partners, and boosting UK exports, the UK Global Screen Fund will stimulate brand new opportunities for growth across the nations and regions.

Independent screen production plays a vital role in this growth and, prior to Covid-19, UK independent film accounted for over £200 million in production spend. The UK Global Screen Fund aims to give a platform to diverse voices, stories and talent by boosting the international profile, appeal and consumption of UK independent content.

UK-based companies eligible for the UK Global Screen Fund will be able to apply from next week, with the International Distribution strand opening on 28 April. Guidelines for this fund will be made available here. Companies will be able to apply for Business Development funding from May, followed by Co-Production funding from June.

The UK Global Screen Fund is open to independent screen sector companies registered and centrally managed in the UK, which meet the eligibility criteria in the published guidelines. The fund will support independent companies across the UK, ensuring a UK-wide benefit and addressing geographic imbalance within the industry. Consideration will be given to where companies are based, where projects are made and how projects reflect the culture and talent of Northern Ireland, Scotland, Wales and the English regions outside Greater London. The screen content eligible for the Fund includes feature-length and episodic fiction, documentary and animated content for film and television as well as interactive digital projects with narrative content (‘interactive narrative games’), for distribution via digital platforms.

The announcement of the new UK Global Screen Fund follows an unprecedented package of Government support for the UK’s cultural sectors, with the Department for Digital, Culture, Media and Sport having already invested £500 million into the Film & TV Production Restart Fund and almost £2 billion for arts and culture, including the £1.57 billion Culture Recovery Fund that was recently extended by £300 million. In addition to continuation of existing programmes including the UK Games Fund. Alongside this, the BFI’s Screen Sector Task Force brought together a coalition of professionals from every part of the film sector to drive forward a recovery programme to enable the industry to restart and recover. This work has been pivotal in ensuring the continued strength of the sector, generating jobs and contributing to the UK economy.

UK Global Screen Fund Data Hub launched to provide UK independent screen sector with international data and insights

The hub provides data, including VOD consumption patterns, to help UK content creators, distributors, sales agents and financiers to make better-informed decisions.

London, United Kingdom - July 31, 2023 - The UK Global Screen Fund Data Hub is a brand-new resource providing the independent screen sector with international VOD data and insights on global demand for and value of UK content.

The UK Global Screen Fund Data Hub has been created to provide international audience data, including VOD consumption patterns, with the aim of assisting UK content creators, distributors, sales agents and financiers to make better-informed decisions, devise data-driven strategies and enhance the global opportunities for UK content.

The online platform will provide monthly reports relating to International Demand, powered by Parrot Analytics and presenting the global top 20 in-demand film, series and talent for the US, UK, France, Italy, Germany and Spain. It will also provide monthly reports relating to International Viewership, powered by Digital-i and presenting the top 20 most viewed films and series by service (Netflix and Amazon Prime Video), for UK, France, Italy, Germany and Spain.

The development and launch of the UK Global Screen Fund Data Hub follows the commissioning of a research project during the Fund’s pilot year, to investigate the types of market data that would be valuable to UK independent screen industries, focusing primarily on film and television. The report, carried out by Damask Consulting, recommended the provision of data services, and, in particular, video-on-demand data, to aid the UK screen sectors in building their reputations and doing business internationally.

“The launch of the new UK Global Screen Fund Data Hub allows UK screen businesses access to VOD consumption data for a number of key international markets, identified by our sector stakeholders as a key unmet industry need,” says Denitsa Yordanova, BFI head of the UK Global Screen Fund. “It is fantastic to be working with Parrot Analytics and Digital-i on responding to this need by providing such valuable insights, both for improved knowledge sharing and to help inform decision-making.”

To access the free platform, UK users simply need to register for an account and log in. Data will be updated on a monthly basis at the end of each month.

International demand of British content and talent

Research into global demand, supply and travelability of British content and talent:

• UK Global Screen Fund - International demand for UK series, film and talent by Parrot Analytics