The Summer of Prequels: Just a fad or a strategic content play?

1 September, 2022

Building out large franchises to capture audience attention is not a new strategy, but recently there has been a surge in one particular way of doing this - the prequel. This may well go down as the summer of the prequel as franchise after franchise has chosen to expand its universe backward in time rather than forward. So what exactly is going on? Is this simply a fad or is there a rationale for creating this type of content? We looked at audience demand for several recent prequels to understand how prequels can be a strategic way to grow a franchise.

One recent show that nicely illustrates the impact a prequel can have on its franchise is Obi-Wan Kenobi from Disney+. The Star Wars universe is so well developed that Obi-Wan Kenobi isn’t simply a prequel but fits into the the existing content landscape like a bridge between Episode III: Revenge of the Sith and Episode IV: A New Hope.  So, in some ways it is simultaneously a prequel and a sequel and we can see its impact in both directions.


Weeks ahead of the premiere of Obi-Wan on May 27th, demand for Star Wars: Episode III was slightly elevated, presumably as fans brushed up on the Star Wars canon that chronologically precedes Obi-Wan. However, it was the movie that follows Obi-Wan in the timeline which saw the greatest impact from the new series. Demand for Star Wars: Episode IV saw a strong upward trend throughout the release of Obi-Wan and peaked at 24x the average series demand the week after Obi-Wan concluded.

This has an important lesson. Content that chronologically follows a prequel is more likely to benefit from increased attention than content that precedes it. Ultimately when audiences reach the end of a show in a franchise they are left wondering “what next?”. When that show is a prequel, the obvious answer is to continue along the timeline with content that already exists. Expanding a franchise with a prequel allows pre-existing content to benefit from the momentum of a new prequel. The funny thing is that George Lucas embraced the opportunity of prequels from the beginning of Star Wars. The audacity of starting with a movie titled Episode IV guaranteed that the franchise would grow both forward and backward in time.

The recent series finale of Better Call Saul also has some lessons for crafting an extremely effective prequel. When the show first premiered in 2015, it was set six years before the events of Breaking Bad and centered on the life of the lawyer from Breaking Bad, Saul Goodman. The show won popular and critical praise in its own right without relying on its connection with Breaking Bad. When we look at demand for Breaking Bad during the second season of Better Call Saul we can see that it didn’t really increase despite huge demand for its prequel.


However, demand for Breaking Bad was highly correlated with demand for the final season of Better Call Saul as it released episodes. As the timeline of Better Call Saul intersected with Breaking Bad and characters made guest appearances, fans became much more interested in revisiting the original show so its demand rose in parallel with its prequel. For a platform with both series available, this is essentially a two-for-one deal as both series are commanding the same high level of attention with only one releasing new episodes.  The lesson here is that building connections to the existing franchise is key for getting the most synergistic benefit from a spinoff.


Two of the most high profile recent franchise expansions, House of the Dragon and The Lord of Rings: The Rings of Power are both set well before their existing franchise content. House of the Dragon takes place about 200 years before Game of Thrones while The Rings of Power is set thousands of years before The Hobbit. These distant settings may make it hard for these series to benefit their franchise in the same way that Obi-Wan and Better Call Saul did with their more direct links, but the Lord of the Rings and Game of Thrones source material is some of the most popular there is. As expanding franchises become an even more important strategy of media companies, executing in a way that makes the most of existing content will be key. Prequels are looking like a particularly effective way to unlock the full value of a franchise.

Get a glimpse into the future of global audience demand measurement for TV shows, movies and talent and learn from consolidated insights and strategic thinking focused on the entertainment industry.

Exclusive global, regional and market-specific content and talent analyses
Rank 15,000+ talent in 50+ markets across all platforms
Rank 20k+ TV shows and 12k+ movies in 50+ markets across all platforms

The Global Television Demand Report

  • Truly understand the global SVOD originals landscape
  • Comprehensive platform market share benchmarks
  • Released each quarter covering 10 global markets
  • Get exclusive access to our comprehensive reports
  • Available for FREE with a DEMAND360LITE subscription