Packaging became a staple of Hollywood deal-making in the 1950s and, until recently, generated a large share of major agencies’ revenue. The Writers Guild of America’s No Conflict, No Interest whitepaper outlines how agencies collect recurring fees when a packaged series is greenlit, sometimes earning a percentage of profits on spin-offs or related productions.

Critics argue that packaging can create conflicts of interest - agencies may favor projects that maximize fees rather than serve each client’s best compensation. Coverage of the WGA–ATA standoff notes that writers saw packaging as a critical point affecting fair pay and creative freedom.

Still, where packaging survives (e.g., unscripted TV or non-WGA jurisdictions), data transparency is now essential. Scenario comparisons run in Box Office Prediction can demonstrate that swapping one A-lister for two mid-tier actors preserves 95% of projected subscriber lift at half the cost - evidence that strengthens an agency’s negotiation stance.

For CEOs, the takeaway is clear: Maintain meticulous valuation worksheets for every package. They provide a fiduciary defense if guilds, studios, or clients challenge wether the agency maximized collective - not just agency - value.